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Text / cut: Failure at the Hands of Beauty / Scheitern am Schönen. Franz Schuh
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 cut,   2010
Wieser Verlag, Klagenfurt 2010
Mit einem Essay von Franz Schuh

119 S., 50 Abb. in Farbe, geb., 15,9 x 9,8 cm

Lambdaprints 50x 63 cm

Nachbarschaft MKH Wels, 2014 kuratiert von Herman Seidl
Foyergalerie Alpen ­Adria­ Universität, Klagenfurt 2011

Emanzipation und Konfrontation.
K08 Kunst aus Kärnten seit 1945
Museum Moderner Kunst Kärnten, Klagenfurt 2008
kuratiert von Silvie Aigner

Idyll - Der Fall der Fassaden.
Kunstraum Galerie Schloss Mondsee 2006
kuratiert von Eleonora Louis



In artstic terms these pictures are unique without being ostentatious, paradoxically so because they show futile efforts to design an environment strangely with „style“. You see how these efforts to virtually lend an artistic touch to the environment, to add something beautiful to it fail. And this is yet another artistic quality in these pictures: They are many pictures that one can in the end also have viewed as one single image.

Erlacher´s Photos remain fascinating beyond interpretation. One could say that the photographed object posseses an aura. Not because they have turned out well. Quite to the contrary, the photographs show a failure at the hands of beauty. The presence of beauty is as intended as the absence of it and Erlacher´s photographs reveal with a degree of objectivity a phenomenology of architectural failure.

This shows that taste is something one can disagree with. But the photographer uses neither satire nor polemics as her weapons, she uses a method for her dispute that is best known to us from literature: the quotation. Quoting is an art; it is not a mere reproduction of something that already exists. Erlacher´s method of quoting – her selection of details from architectural calamity – proves it. The ugly rears its head, teaching the viewer amazement over something they have already seen a million times.

Franz Schuh: Failure at the Hands of Beauty





 Linz UND,   2009
Ein Stadtprojekt der Gesellschaft für Kulturanalytik.
Mitwirkende: Gisela Erlacher, Theresia Hauenfels, Elke Krasny.
Praxis und Medien: Gehen, Fotografie, Recherche, Schreiben.
Die Stadt kreuzt die Blicke.
Was passiert, wenn drei Menschen sich von einer Stadt ins Visier nehmen lassen?

Die Fotografin Gisela Erlacher, die Historikerin Theresia Hauenfels und die Stadtforscherin und Kulturtheoretikerin Elke Krasny folgen den Stadtblicken, die sich nicht übermächtig aufdrängen, aber auf den zweiten Blick das ausmachen, was Urbanität zu ihrer sprechenden Entfaltung braucht:
Nebeneinander, Heterogenität, Mischung, Hybridität, Alt & Neu, Bedeutend & Unbedeutend, Bekannt & Unbekannt, Entdeckt & Unentdeckt.
Elke Krasny



 Details,   2009
C-Prints 51 x 64 cm


In between. Austria contemporary.
kuratiert von Karin Zimmer

Stadtmuseum St.Pölten 2011
4. International Beijing Art Bienale,
NAMOC- National Art Museum China, Beijing, China 2010
Rezan Has Museum, Istanbul. 2010
Centar savremene umjetnosti Crne Gore, Podgorica/Montenegro. 2010
Old Pallouriotissa Market Hall, Nicosia, Zypern 2010
Gyula, Ungarn, 2010
Gaerija Umjetnina Split/ Kroatien, 2009

tool time. flat1, Wien 2010



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